Coming out May 20, 2021.
OK, impressions, keeping in mind that I am not in the target audience for this promotion:
First, I just don't see Yue being the headlining love interest for this game. Julious, perfect angel man with the flowing golden mane, sure - he encapsulates the aesthetic for the classic franchise pretty well. Rayne, a vivacious, approachable redhead with what at the time was considered a cool aesthetic for a self-labeled Neo spin-off, absolutely. Yue's outfit looks like something Miles Edgeworth would eject from his wardrobe for being too, in his words, the entire circus. It's clearly meant to be commanding, but it has the exact opposite effect. And that fivehead! That fivehead! It undermines his characterization, too: Yue is consistently smug in his character portraits, but the huge head, as accentuated by the fivehead, infantilizes him (it's that phenomenon where children's heads are larger proportionate to the rest of their bodies than in adults; there's a developmental term for it I'm forgetting, but artists use it to infantilize characters, such as Zelda in Breath of the Wild). They mean Yue to be this enigmatic, take-charge figure, but he ends up looking like a smartass fourteen-year-old.
Second, the heroine looks supremely vacuous. It's a tradition in Angelique for the heroines to be actually pretty smart and capable in the games but airheaded in the manga and anime adaptations, but here, we seem to be going right to moths-in-the-brain - unless this is just an issue with Sayo Ichi's art, introducing the heroine with those big, vacant eyes and her mouth gaping. She doesn't seem to understand how key illustrations set the tone and expectations for a work and its characters.
I keep thinking that Angelique is going to grow beyond ribbons & twinkles & glissandoes, particularly when it's trying to reinvent itself for a new era, but it hardly ever does, not in its primary incarnations. I was thinking recently that in terms of aesthetic and tone, Angelique is the Japanese equivalent of Barbie. I understand that the current Barbie program is rather self-aware, though. Luminarise was the franchise's best bet for that, with the whole day-drunk, stressed-out businesswoman angle, but it looks like they pulled back on that somewhere in production. I wouldn't expect more if the series didn't produce some really strong characters who make for affecting stories when used well (A Scale of Infinite Notes; Farewell, Labyrinth; the Kuroki Tsubasa no Moto ni novel), but the writers rarely ever want to pull out the stops. And I don't know if Luminarise's characters are of that caliber.
I like what I see of the backdrops - the detail, the vivid color, the use of light. Felix is still one of the weakest designs to grace this series, though.
In true otome fashion, half the trailer is dedicated to an advertisement for the 15,000-yen deluxe version. I see from the promo materials, by the way, that the official translation for their little ActRaiser fortress is the "Floating City," not the "Flying City," as English fans have been using. I should change that in the Super Famicom translation. It's a mercy, frankly - I was torn between fumbling for a more elegant name or falling back on the somewhat-awkward "Flying City" convention.
A survey of the new Guardians, previewed from the bonus deluxe edition book. This is getting translated.
Incidentally, I put up a link to the Luminarise material here on my main site. I'm probably going to regret that. I liked being able to put down some thoughts in a relatively isolated space.
I don't have the time to write extensively about the Cyberpunk situation, but the witch-hunt histrionics about the game being a front for a James Bond villain plot on behalf of CD Projekt to murder its players through deliberately-triggered seizures or how some enthusiastic fan who wanted to create an OT for the game on ResetERA was a sleeper agent for a vast ultra-right-wing conspiracy to trick people into buying the game because he had the audacity to like it remind me of why I am so glad to be out of the gaming social media ecosystems. I understand there have been issues with smartass imprudence by CD Projekt and one big immediate problem that needs to be resolved w/r/t the flashing light sequences (as well as the question of how it got through cert), but solutions aren't going to be found by raving about conspiracy theories that'd be right at home coming from the Trump legal team. It is jaw-dropping what established figures within the community are claiming with a straight face to believe, and they all seem to be losing more of their once-respected goddamn minds with this game with every passing day.
So I recently bought a Dragon Age sticker on Etsy - from The Wind's Nocturne, very lovely - and went to leave a review. Well, too early, Etsy said - but in checking my past purchases, I noticed a pin I'd ordered from a different vendor way back in January that I didn't remember receiving. I rummaged through my pin repository, the top drawer of my dresser, to make sure my memory wasn't failing me - and while I didn't find the rogue pin, I did uncover an errant hard drive. From an old laptop, after it got a memory upgrade, I think. It'd been unnoticed dead weight in that drawer for years on end - but now that I'd learned the secret of SATA and had obtained a cable, I plugged it in and started searching for one particular file that had been lost in computer breakdowns and transfers across the years. The material on the drive turned out to be 10 years old, but it yielded paydirt.
That's a long haul to the above image, a mishmash of commentary by Akari Funato from a dead version of her site partially on how the characters from "Kokuhaku Suru Kioku" of Vheen Hikuusen shaped those of her Victorian drama Under the Rose, but I've been trying to track it down for so long that I'm posting it here for...well, you see the title. In my mind, the one-to-one character mapping was more comprehensive than shown, as it extends further in the manga than what's shown - there's an Oscar Wilde analogue that's obviously just Morris, even taking into account that Funato has molds for her characters, and you can find elements of all the major KSK players somewhere in UtR's cast. This definitely is the errant image, though - I remember that sketch of Rouj.
It's nothing major - notes on the puns behind Tagak and Rouj's names; that the Guildmistress's costume was Victorian-inspired; that she did the genga for Mia's intro scene on the 32-bit version...trivia all covered in other Lunar commentary from Funato. She does note in the middle there how she split the influence of young Ghaleon between two aristocratic young men in the series - the silent, stoic William and the hot-blooded, carrot-headed punk Linus. "I don't see the resemblance," says Linus. That makes two of us.
Page 41 of 53
